1983年5月19日，安德烈·塔可夫斯基（左）和法国导演罗伯特·布列松在第36届戛纳电影节上。两人凭影片《乡愁》（塔可夫斯基）和《钱》（布列松）共同获得最佳导演奖 图/视觉中国
There's no drastic divide between this trio. Like the "Father" family, they've drifted apart, seemingly content to have lives of their own. But in this household, their proximity practically itches. Lilith looks for ways to razz her sister, sparking a juvenile sibling rivalry that forces Tim into flushed retreat. But these intrusions and escapes are all in the gentle way of making nice. The tragedy of these moments is in how we can see their urge to connect and their fear to, all in a furtive glance, a choked laugh, or a licked bit of pastry.
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这种供需错配，正是行业需要改变的核心痛点。
Фото: Yves Herman / Reuters