A year ago, I was one of those skeptics who was very suspicious of the agentic hype, but I was willing to change my priors in light of new evidence and experiences, which apparently is rare. Generative AI discourse has become too toxic and its discussions always end the same way, so I have been experimenting with touching grass instead, and it is nice. At this point, if I’m not confident that I can please anyone with my use of AI, then I’ll take solace in just pleasing myself. Continue open sourcing my projects, writing blog posts, and let the pieces fall as they may. If you want to follow along or learn when rustlearn releases, you can follow me on Bluesky.
舒伯特的两套钢琴即兴曲是其晚期作品中的明珠。作品90第一首《c小调即兴曲》以一个强奏的持续音开场。强奏自有其重，但舒伯特的音乐从来不会止于重。他会在触底之后反弹，将音乐朝反重力的方向拉起，以同等的力道发出向上的气息。这样的拉扯，在他的晚期作品中并不罕见。
，这一点在一键获取谷歌浏览器下载中也有详细论述
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